談學習結他

先談最重要的一點：練習比一切都重要。
在刻苦練習的前題下，什麼天分和資質不足對你一點影響都沒有。

1. 學習遇到樽頸位，不知道該練什麼。

你需要學的是彈奏技巧和如何表達音樂性，這跟你彈什麼歌曲是沒多大闗係的，只彈你熟悉的流行曲不會令你進步。
有些東西你是無法靠看影片學會的，環境許可的話強烈建議找個老師來指導你。最基本你要懂得看五線譜、用何發力、彈線角度、發力關節、如何放鬆肌肉等….
只學彈六線譜的速成課程很難使你學懂音樂。
Maybe you know how to play guitar , but you don’t know how to play music.
別停留在左手按第幾弦第幾格，右手用什麼手指來彈弦，那是最基礎的東西。(題外話，如果你的老師每次只教你用什麽手指來按弦和彈弦，那我想你不用再學也沒所謂了，這就好像你沒必要付錢請馬友友來幫你開音響，那不會提升音響質素的)

2. 有些人在接近沒有學過任何彈奏技巧的情況下，花很多時間把很多有名的樂曲練得很熟練。

我知道這是一件不容易的事。可能你們會認為能彈難度很大的曲子，就代表你變得比以前利害，但很抱歉，你們一開始就錯了，單把樂譜上的音彈出來，那只是第一步，你需要知道的是第二、三、四步你該做什麽。把這些很難的樂曲練完後，你底從中學到了什麼? 如果你一開始就把你該學的基本技巧學好，你會發現彈樂曲並不需要花很多時間。

3. 有關結他考試
考試是一個很好的試練，我很鼓勵大家去考試，因為你會接觸到更全面的音樂知識，但別太走火入魔就可以了，不要刻意為了考試來學習，應該是練習完順便去考個試才對。
You don’t need a piece of paper to prove you can play the guitar.

如果你已有一個好的導師指導你的話，那每天只需努力練習就可以了 ^^V

談學習結他有 “ 17 則迴響 ”

Thanks for the advice!

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You ‘re a brilliant guitar player. I would like to share my idea on your statement"you know how to play guitar but you don’t know how to play music". I think a music score to me is a communication medium between the composer /arranger with the player. 六線譜 is specially for guitarists, especially those who play popular music, to interpret 五線譜, without having to learn it. In a professional context, whether classical or popular music, music learning consists of many other skill sets, reading music is one skill, playing a chord is one skill etc. As a guitar learner, they must know what music they want to be good at and pick up as many skill sets and pertaining to it to be a versatile musician. Therefore, there’s nothing wrong of not knowing to read music in standard notation and cannot use it to judge one’s enthusiasm to music.

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匿名說道：

28 四月, 2017 at 3:51 下午

Steven did cover that in his article – get a good teacher instead of learning by oneself if possible. Not knowing to read music will become a blockage on how far one can go. Even singers, if they want to be success, they need to learn to read music too.

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1. Christy 說道：
  
  15 五月, 2017 at 5:33 下午
  
  Yo, that’s what’s up trtlufhuly.

謝謝老師精確的分折及建議。我好像突然了解到一些東西，是這麼多年也沒察覺的。真的感謝老師。

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老師一語點醒夢中人阿

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“只學彈六線譜的速成課程很難使你學懂音樂"
殊不知很多及他的表現技巧是在五線譜上面看不到的
勾槌音滑音和推放音在五線譜上都是"圓滑音"
但這些技巧帶來的感情詮釋卻是截然不同的領域
而以上的技巧是老師在編曲裡很少採用的
是因為受古典教育影響較多? 只看到以泛音為主的展現

另外練習是一種係數當然極為重要
但有天份的人刻苦練習可以展現出更大的成果
影響是確實而且巨大的存在這點我無法否定
單就手指的長度和靈活度來看就能理解鋼琴家為何要剪虎口

順便一提一旦脫離了Standard(EADGBE)
五線譜是完全無法順利轉換成指法的
世界永遠比我們想像的更大更寬廣共勉之

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林仲彥 說道：

8 六月, 2015 at 2:02 上午

感謝借轉發

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匿名說道：

28 四月, 2017 at 3:45 下午

That’s why Steven suggested that if possible, one should get a teacher – a good one…

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